Patrick Süßmeier, a literary blogger who writes about speculative fiction, has asked a number of German SF/F authors about their “normal day”. A number of us already described their workday to him. I did – and so did Anja Bagus, Sandra Baumgärtner, Nadine d’Arachart, & Sarah Wedler, Markus Heitz, Ann-Kathrin Karschnick, Piper Marou, Henning Mützlitz, Nicole Schuhmacher. The list is stille growing. So if you’d like to know what the gory details of writing are about, you can find the answer here.

I am probably better known for my rather longish novels. But over the year I wrote quite a lot of short fiction for anthologies. The list (please see below) may not even be quite complete. But if you read German, these are the places where you will find my stories. • “90 – 60 – 90” in: “Der Arsch auf dem Sessel“, DIANA Verlag, München • ” Voll schlank” in: “Ich werde nie mehr auseinandergehen“, DIANA Verlag, München • “Ein Menu aus Salzträume” in: “Die Köche – Biss zum Mittagessen”, Ulrich Burger Verlag, Homburg • “Innovationen” in: “Geheimnisvolle Geschichten – Steampunk“, Verlag Saphir im Stahl, Bickenbach • “Schöne Aussicht” in: “Geheimnisvolle Bibliotheken”, Verlag Torsten Low, Meitingen OT Erlingen • “Nicht tot” in: “Dark Crime Anthologie”, Geisterspiegel/Romantruhe • “Im Bilde” in: Exotische Welten” O’Connell Press, Weingarten • “Aschenputtel” in: “Wahre Märchen 2: Elf klassische Märchen in neuem Gewand”, Feder & Schwert,…

That last weekend I was busy writing. From morning to evening. And starting over after dinner right till Mr Sandman came by. I even had to decline a wonderful invitation to a a dear friend’s birthday party – no easy decision, believe me. But a deadline is a deadline, even if this particular deadline is a bit blurry, as I am still waiting for the contract. I certainly hope it will come soon, though. But just as musicians do not always know when and if there will be a next gig, and artists mostly cannot predict who will buy their the next picture – or when, writers, too, live in a sort of mire of uncertainty. This would, of course, be different for the very famous writers, musicians or fine artists. Once you have acquired a certain threshold of fame, you can hardly “create” your art fast enough to cover…