• writing

    … and once again in English

    One by one I am publishing my books in English. The last one  published was „Jenseits des Karussells“ = „Beyond the Merry-Go-Round“. The book is the continuation of the stories that started with  „Das Obsidianherz“ = “Obsidian Secrets”  continued with with „Salzträume“ = “Dreams of Salt” (in two volumes, as it was too long for one). “Obsidian Secrets” is set in 1865 in Munich, the capital of the Kingdom of Bavaria. King Ludwig II has just been crowned a year earlier and has barely begun to think about building all the wonderful castles we love to visit today – Neuschwanstein, for example. King Ludwig II is pretty much the most romantic but also the most controversial king Bavaria has ever had, and to this day people argue about whether his early demise in Lake Starnberg some 20 years later was an accident, murder or suicide. But His Majesty only appears…

  • general,  writing

    New challenges – old haunts

    When I stopped working in my day job, I had assumed that I would now write one novel after another. Indeed, my creativity would know no bounds. Reality tends to catch up with you and life intervenes. I spent the first period of the pandemic prostrate on the sofa. Then I started editing my English manuscripts to market them myself. These are available so far Obsidian Secrets (Steam Age Quest, Book 1) Dreams of Salt, Vol. 1 (Steam Age Quest, Book 2) Dreams of Salt, Vol. 2 (Steam Age Quest, Book 3) Call it a Knight (Stories with a Twist, Book 1)   Eventually, I found that I spent more time “marketing” than writing. I HATE marketing. I have no talent for blowing my own trumpet. Indeed, I’d be glad if I possessed said trumpet. Now, of course, you can say that I need not have chosen to be a…

  • general,  writing

    “Weltendiebe” – my new book

    „Weltendiebe“ (Thieves of the Worlds) has been published (so far in German only). It took me some time before I could bring myself to selfpublish it at BoD. But: neither I nor the book are getting any younger. Does that sound a bit frustrated? That may well be so. I write books because I love writing books. Because writing fulfils and defines me. When I started out, I had no idea about the “book biz”, the book industry, which is just that: a frig*ing industry. I wrote stories because that was what I wanted to do. Because the story and its heroines and heroes were itching inside my soul and wanted to get out. I had the strength to give them life and that felt wonderful. Very quickly I found out: The fact that you have written an exciting book does not mean that someone wants to publish it. Two…

  • writing

    “Call it a Knight” – Short Stories

    Too late again. I should have told you about “Call it a Knight” long ago: my first English-language short story collection. About the title: Yes, there is a knight in one of the stories. He is quite dead. To find out if he stays that way, you would have to buy the book and read it. Over the years I have written a vast number of short stories. It’s an unprofitable job. But what ever is profitable? (I’ve never been good at actually making money doing the things I love to do. I wish it were different.) Two volumes of German short stories have been published: Bisse Machtschattenspiele   In addition, I have been involved in – probably far too many – anthology projects. Anyway: the number of short stories that have sprung from my brain is quite large. In my constant effort to attract an English-speaking readership for my…

  • general,  book fairs,  writing

    Stay home and read a book

    So. Since I don’t want to start each one of my entries with an excuse for not having posted anything for such a long time, I’ll start without further ado. My polar bear was to be presented at Leipzig Book Fair, which unfortunately didn’t take place due to Covid19. “Elgar Polar Bear and Civilisation” . This somewhat episodic book describes the adventures of polar bear Elgar whose ice floe completely melted from under his furry posterior, and who – since he does not want to die out yet –has come to live in our human civilisation. In his endeavour to learn more about civilised urban life he watches and comments our civilisation from his ursine perspective.     I have been asked whether this is fantasy since it pretty much consists of satirical elements. Well, it is satire,  and it is speculative fiction. Science fiction and  fantasy have always been close…

  • general,  writing

    New Stories

    So what’s new? I have done some readings, had a really great time at Feen Con in Bad Godesberg. I was at the FEST of Fantasy. There, too, I read from my stories. The FEST is always quite wonderful. Unfortunately, this year it was a bit rainy. A new book has just been published: an anthology of short stories, called “Funtastik” to which I contributed a story. The aim of the anthology was to present the funny side of fantasy. The stories are quite varied. After all, we all have a different sense of humor. Another short story will appear soon. unfortunately I am not allowed to tell you any  more details. Soon, I promise. My new novel “Seelenspalter” (=Splitter of Souls) will come out in Droemer Knaur early next year. It has a really nice cover, do take a look. It will be the first of hopefully many books…

  • writing

    Love and other things

    It’s time for: The LOVE scene. I can no longer put it off in the current book project. Somehow books can’t do without them. Love tends to be an integral part of the plot, at least in my books.Do I like writing love scenes? Not really. This is not because I have squeamish scruples, but rather has to do with the constant concern that one might stray from the extremely narrow path of good taste in favour of too blatant details on one hand or too flowery metaphors&similes on the other. I still believe that the “pillow talk” between Cérise and Arpad “Das Obsidianherz” was the most successful love scene in all my books. Its first version was very long and it grew more exciting with every sentence I cut from it. What remained were just 25% of the original text. (Somewhere I still have the long version, but I…

  • writing

    The daily chores of a writer

    Patrick Süßmeier, a literary blogger who writes about speculative fiction, has asked a number of German SF/F authors about their “normal day”. A number of us already described their workday to him. I did – and so did Anja Bagus, Sandra Baumgärtner, Nadine d’Arachart, & Sarah Wedler, Markus Heitz, Ann-Kathrin Karschnick, Piper Marou, Henning Mützlitz, Nicole Schuhmacher. The list is stille growing. So if you’d like to know what the gory details of writing are about, you can find the answer here.

  • writing

    Short fiction – a list

    I am probably better known for my rather longish novels. But over the year I wrote quite a lot of short fiction for anthologies. The list (please see below) may not even be quite complete. But if you read German, these are the places where you will find my stories. • “90 – 60 – 90” in: “Der Arsch auf dem Sessel“, DIANA Verlag, München • ” Voll schlank” in: “Ich werde nie mehr auseinandergehen“, DIANA Verlag, München • “Ein Menu aus Salzträume” in: “Die Köche – Biss zum Mittagessen”, Ulrich Burger Verlag, Homburg • “Innovationen” in: “Geheimnisvolle Geschichten – Steampunk“, Verlag Saphir im Stahl, Bickenbach • “Schöne Aussicht” in: “Geheimnisvolle Bibliotheken”, Verlag Torsten Low, Meitingen OT Erlingen • “Nicht tot” in: “Dark Crime Anthologie”, Geisterspiegel/Romantruhe • “Im Bilde” in: Exotische Welten” O’Connell Press, Weingarten • “Aschenputtel” in: “Wahre Märchen 2: Elf klassische Märchen in neuem Gewand”, Feder & Schwert,…

  • writing

    New projects

    That last weekend I was busy writing. From morning to evening. And starting over after dinner right till Mr Sandman came by. I even had to decline a wonderful invitation to a a dear friend’s birthday party – no easy decision, believe me. But a deadline is a deadline, even if this particular deadline is a bit blurry, as I am still waiting for the contract. I certainly hope it will come soon, though. But just as musicians do not always know when and if there will be a next gig, and artists mostly cannot predict who will buy their the next picture – or when, writers, too, live in a sort of mire of uncertainty. This would, of course, be different for the very famous writers, musicians or fine artists. Once you have acquired a certain threshold of fame, you can hardly “create” your art fast enough to cover…